|Real Name||Vidya P. Balan|
|Physical Stats & More|
|Height (approx.)||in centimeters- 163 cm
in meters- 1.63 m
in Feet Inches- 5′ 4”
|Weight (approx.)||in Kilograms- 70 kg
in Pounds- 154 lbs
|Eye Colour||Dark Brown|
|Date of Birth||1 January 1978|
|Age (as in 2017)||39 Years|
|Birth Place||Poothamkurussy, Puthur, Palakkad, Kerala, India|
|Zodiac sign/Sun sign||Capricorn|
Vidya Balan Biography
Vidya was born in Palghat, Kerala, India. Her family consists of her pappa, P.R. Balan, UN agency is that the Vice-President of ETC Channel; mummy – a home-maker, associate degreed an elder sister, Priya, UN agency is married to Kedar. She additionally has associate degree aunty by the name of Raji Raju.
The Balan family re-located to measure at Road No. 11, close to Ambedkar Garden, Chembur, Bombay, once Vidya was terribly young. She studied in St. Anthony’s Convent faculty, and thenceforth in St. Xavier’s faculty from wherever she obtained a degree in social science. She then went on to get a Masters degree in social science from Bombay University.
She additionally studied and performed in Prithvi Theaters’ workshops. thanks to tradition of most Tamil-Iyer families, Vidya and her Priya learned Carnatic dance kind throughout their infancy days, however Vidya opted out because the dance categories transpire ahead of time Sunday mornings associate degreed as she isn’t an early riser.
Considerably overweight, rather tomboyish, throughout her school-days, and a passionate fan of Shahrukh Khan, she set to shed those further pounds once she nonappointive to elect modeling and films.
Facing disappointment once being rejected by a Tamil producer, she even so persisted till she got her initial split a Malyalam motion-picture show ‘Chakram’ opposite Mohanlal, however, the project was shelved, and he or she had to attend till 1998 to debut in a very Surf surpass business. She then went on to seem in many commercials directed by Pradeep Sarkar. She completed nearly ninety such ads.
She appeared in 3 music videos for Pankaj Udhas, Euphoria, and Shubha Mudgal in supporting roles. She then additionally appeared in 2 TV serials Ekta Kapoor’s ‘Hum Paanch’, and Ashok Pandit’s ‘Hanste Khelte’.
During 2003 she was signed-up to play a task in a very Bengali motion-picture show ‘Bhaalo Theko’ opposite Joy Sengupta. This project was completed throughout the year 2006, and was a substantial hit.
Then throughout 2006 Vidya was approached by Vidhu Vinod Chopra throughout a pop-concert in metropolis to play a lead role in ‘Parineeta’. She then had to endure seventeen make-up shoots and forty screen tests before being chosen for this role. All this difficult work did lead to success as ‘Parineeta’ was fine received such a lot so the Tamil producer, UN agency had antecedently rejected her, invited her to seem in a very ‘Dasavatharam’ opposite Kamal Hassan, and currently it had been Vidya’s address reject this provide that eventually visited ‘Asin’.
Vidya Balan Husband
Siddharth Roy Kapur is Associate in Nursing eminent Indian film maker, founding father of Roy Kapur Films and also the President of Film and tv Producers association of Bharat. he’s conjointly the erstwhile decision maker of The film maker Company Bharat
Apart from acting, Vidya occupies herself for supporting education for young Indians by promoting children’s’ books; is related to Americans for Aids Research; with Hale House – that gives support and housing for kids born with HIV and drug abuse; still as hosting forums and attending events for Harvard Aids Institute.
When Vidya Balan was single, she was ne’er concerned in any scandal and claimed to urge on well with each feminine and male friends. In 2012, she married producer Siddharth Roy Kapur
An ardent fan of Bhagwan Shri Sai cake, she makes it some extent to attend Mandirs each Th. She is practiced in Tamil, Malyalam, Hindi, English, Bengali, and might additionally scan Urdu.
Tumhari Sulu Movie Review:
Vidya Balan Is The Heart And Soul Of This Watchable Film It is not an ideal film, however it’s undoubtedly well value a viewing the maximum amount for the standard of the acting and for its technical delicacy
Cast: Vidya balan, Manav kaul, Neha Dhupia, Vijay Maurya, Malishka Mendonsa
Director: Suresh Triveni.
A lady cabbie (Trupti Khamkar) drives the titular protagonist – housewife-turned-radio jockey (Vidya Balan) – back and forth from her community metropolis home to the studio. in a very oral communication, she reveals her back story. Her husband, WHO ab initio lost her greatly once she opted for employment that unbroken her out for hours, got thus wont to her absence that he eventually left her. no a touch of regret in her voice, the chatty lady happy being free and unencumbered.
Just a thought: would not the story of the taxi driver, had it been swollen, are way more fascinating and radical than the one that Suresh Triveni’s huge screen debut film tells? Her dreams and aspirations nevertheless, the Tumhari Sulu heroine is suspended rather indecisively between assertion and compromise. She does not have a true go at activity the established order.
Not that the unlikely flip of events within the placid lifetime of the spirited Sulochana aka Sulu of Jal Padma Housing Society, Virar is not primal, however it looks somewhat acquainted in plot terms despite the actual fact that it’s on the FM airwaves, a universe seldom delineate in Hindi cinema, that she finds her true line. the task provides her a way of confidence and accomplishment, however it doesn’t inspire her to aim a full-fledged rebellion.
We have lately seen many Bollywood films concerning sturdy feminine protagonists thriving on defying expectations. solely the opposite week, in Ribbon, placed in just about an equivalent social atmosphere, it absolutely was Kalki Koechlin’s communicate grapple with the intimidating task of placing a balance between work pressures and residential front demands.
That is precisely the place that married woman Sulu, materially snug and stable because of the supervisor’s job her husband Ashok Dubey (Manav Kaul) has in a very garment manufacturing plant, finds herself in once she is employed as a radio jockey and referred to as upon to be her enticing best on air a lot of to Ashok’s alarm.
Tumhari Sulu may be a tight enough film propped up by an exquisite important performance from Vidya Balan, however elements of it – most notably the facile climax – scupper the likelihood of it soaring to the heights that from time to time seem well among its reach.
In addition to dutifully discharging her home duties, that embrace keeping orientating pigeons from pooping on the garments drying within the balcony, Sulu loses no chance to participate in neighbourhood competitions and keep count of her victories and near-wins.
When it involves introducing herself to the planet, she, however, ne’er appends her husband’s name to Sulu. She is solely Sulochana. thus it’s a small indefinite amount discrepant that the plate outside her home reads “Mr. and Mrs. Ashok”. It ought to are merely Ashok and Sulochana if it’s the lady’s individuality that the film is seeking to underline.
Sulu and Ashok area unit, of course, no spring chickens. Ashok suggests that the couple ought to set up a sister for his or her 11-year-old son Pranav (Abhishek Sharma).
Sulu is fast to indicate they don’t seem to be young enough to create another baby. curiously, most of the songs that the couple croons – Batata vada (Hifazat), Zubi Zubi (Dance Dance) and, of course, Hawa Hawai (Mr. India), that receives a full-on party variety treatment – area unit from films discharged in 1987. That certain is a sign of Sulu and Ashok’s vintage.
But because the radio channel head Maria (Neha Dhupia) exclaims the primary time they meet, Sulu may be a fast learner. She slips into her role pretty painlessly, however ne’er ceases to snort by the new-age colloquialisms she hears round her within the studio – what is up, chill, dude, bro – a incontrovertible fact that she shares along with her better half.
Sulu’s transformation from a irresponsible wife WHO preens at her success rate all told manner of insignificant pastimes – a lemon and spoon race, a race, a tug-of-war and radio contests for listeners – to a professionalud pro WHO uses her voice to tend the nocturnal fantasies of lonely men is undeniably intriguing.
With Vidya Balan diving deep into the character and springing up with several moments of pure magic and a competent supporting forged LED by the sometimes underutilized Manav Kaul conducive its mite, Tumhari Sulu, warts and every one, is rarely but watchable.
It might are an excellent higher film had the last half not veered removed from the delightfully tongue-in-cheek tone of the primary, that follows the charming however somewhat impractical self-advancement plans that Sulu hatches, giving her husband a 50-50 partnership in each projected enterprise, and her run-ins along with her twin elder sisters Aradhana (Sindhu Shekharan) and Kalpana (Seema Taneja), dismissive of the highschool dropout WHO seeks pleasures in trivial triumphs whereas devoting herself to taking care of her husband and her son.
It is creating the abrupt tonal transition from the cheerful to the somewhat melodramatic that Tumhari Sulu misses a number of tricks, however director Triveni will have how with the scenes that really matter. particularly placing is that the restrained treatment that he brings in touch upon a confrontation between Sulu and her jeer siblings once a crisis precipitated by the former’s son engulfs the family.
The director takes no recourse here to quality or explicit see-how-gutsy-this-woman-is grandstanding. an easy purpose is created forcefully as Sulu puts her foot down and refuses to budge from her chosen position. The scene conveys the strength of the steel that she is created of.
The elliptical written material by Shivkumar Panicker is strikingly effective, loaning momentum to Tumhari Sulu even once not a lot of seems to be happening on the screen by means of ‘action’. Director of photography Saurabh Goswami frames real areas among a lower bourgeoisie home additionally because the cheerful however charged atmosphere within the a lot of flashier interiors of the studio wherever Sulu works.
Vidya Balan is that the heart and soul of Tumhari Sulu, however the film additionally edges vastly from the performances of the opposite forged members. Besides the imposingly natural Manav Kaul, Vijay Maurya, forged as a poetry-spouting RJ WHO has got to surmount initial misgivings before he mentors Sulu, provides the role his best shot.
Tumhari Sulu is not an ideal film, however it’s undoubtedly well value a viewing the maximum amount for the standard of the acting and for its technical delicacy. In any case, a movie is simple to fall taken with with once Vidya Balan is that this large.